A., “ New Look at Old Books: Emanuel Löwy, Die Naturweidergabe in der äteren griechischen Kunst,” Journal of Art Historiography, no. Löwy had a great reputation among not only Viennese scholars but also the international scholarly community. See Meštrović,, Uspomene na političke ljude i događaje, 217–18. The fact that Meštrović was well acquainted with the mausoleum and its architect-in addition to his close contact with Strzygowski-indicates the architectural and visual idioms’ suitability for different national projects at that time. See Nenad Makuljevic, “The Political Reception of the Vienna School: Josef Strzygowski and Serbian Art History,” Journal of Art Historiography 8 (June 2013): 1–13. Google Scholar In 1909 Strzygowski was involved in a debate about the models for the Serbian royal family's mausoleum, which was itself based on the same architectural prototype of the Apostoleion, albeit rendered in a traditional “Serbian national” style. ![]() Google Scholar Cited from the English translation, Origin of Christian Church Art, trans. Strzygowski, Josef, Ursprung der christlischen Kirchenkunst ( Leipzig, 1901), 39,52.
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